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The title, Get Away From Me, signposted the artist s sense of that significance, plus an orneriness that has stored her out of the pop-rock pantheon these past two many years. Nellie McKay meant her title to be the antithesis of Come Away With Me, the title of Norah Jones debut CD. It s simply that McKay might need gotten her want with the title of her debut. McKay has an enormous smile and a superb sense of humor, but she doesn t play good, or fairly, sometimes she does, and typically she doesn t. The narrative doesn t describe him tearing all over campus searching for her; it describes him going straight to Morgan Hall. He worships what could be a monster, which, fortunately sufficient, doesn t exist. In 2004, an artist emerged who appeared poised to enter that pantheon: Nellie McKay, whose debut was a giant deal, or no less than offered as one. HomeSkoolers have a tendency to attract from the least ready and they are active without oversight. Get Away From Me should be the least welcoming title ever applied to a debut album. Well, there was the hardcore-punk debut We re the Meatmen
